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Adoration of the Shepherds (Le Nain)
The ''Adoration of the Shepherds'' by the Le Nain Brothers is in the National Gallery in London. The painting dates from about 1640, and is relatively unusual as a religious subject or history painting in their ''oeuvre''; they are best known for genre painting, especially groups of peasants. As with most of the works of Antoine (c 1600–1648), Louis (c. 1603?–1648) and Mathieu (1607–1677) Le Nain, it is not possible to establish which brother, or combination of brothers, painted it.〔Wine, 194, 208; for an older and opposing view, see Blunt, 155–156, who describes distinct styles and types of work for each brother.〕 This painting is unsigned, but when they signed their works, from 1641 to 1648, it was simply as ''Lenain''.〔Wine, 194〕
==Description==
The painting is in oil on canvas and in good condition, with minor losses; it measures 109.2 x 138.7 cm (43 inches x 54.6 inches). The ''Adoration of the Shepherds'' is a very common subject in the Nativity of Jesus in art, and the composition is an arrangement of the conventional components, including the Holy Family, the ox and ass or donkey, angels, and three shepherds, two old and one young. One shepherd and an angel are glancing out to the viewer's left, and it has been suggested that they have seen the approach of the Biblical Magi, which may have been the subject of a matching painting. There are ''pentimenti'' showing what appears to have been the original composition: on the wall above the lefthand angel dim traces of a head of the Virgin can be seen, slightly bowed to the left matching Joseph just to her right. On the donkey the trace of a curved rein can be seen, starting where the white chest meets the foreleg; the whole animal may originally have been lower.〔Wine, 206–207〕 Michael Levey describes the treatment of the scene as "partly 'realistic' and humbly rustic and partly idealized",〔Levey, 211〕 and the National Gallery detect the influence of Orazio Gentileschi, who had worked in Paris, in the figures of Mary and Joseph, and the ass.〔(National Gallery page )〕
Dates in the 1630s have been suggested, and also that the painting is by Mathieu, or Louis.〔Wine, 208–209 for date, and recording rather than endorsing the attribution to Mathieu; Levey, 211 attributes it to Louis.〕 Elements of the architectural setting have been compared to those in a painting by Laurent de La Hyre in the Hermitage Museum dated 1638, ''Mercury confiding Bacchus to the Nymphs'' (in reverse), and the ass is very similar to that in ''The Milkmaid's Family'', also in the Hermitage, a Le Nain painting thought to date to 1641.〔Wine, 208–210〕 There is an ''Adoration'' attributed to the brothers, and at least in a similar style, in the National Gallery of Ireland, which shares some aspects of the composition.〔Wine, 210〕 Another, more realist, ''Adoration of the Shepherds'' in the Louvre was long attributed to the Le Nains, but is now given to Jean Michelin and dated 1659.〔(Louvre ); Blunt, 155, has the old attribution.〕
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